A New Work of Devised Movement Theatre

Produced by Watching the Detectives in Partnership with Untellable Movment Theatre

Created and Performed by Philip Goodridge & Jaimie Tait
Directed by Lynn Panting

The Station is a dark sci-fi comedy told entirely without words. Set in a mysterious, echoing substation in a dystopian future, two isolated workers carry out an endless, monotonous routine. Over time, the pressure of confinement, the presence of eerie, unexplained sounds, and their growing mistrust of each other begin to unravel their relationship.

The story unfolds through stylized movement and stark physical imagery. The Station is a darkly comic meditation on survival, trust, and human connection.

"The Dress" is a dance fantasy film written and directed by Lynn Panting.

“The Dress” is an ode to ships passing in the night; the joy of the unfulfilled. It's also a love letter to dresses.

Produced by Untellable Movement Theatre, Mayflies VR blends cutting-edge technology with the immediacy of live performance, creating a fully immersive virtual reality experience. Audiences are invited to step inside, around, and through site-specific dance performances in a way never before possible. Through 360-degree filmmaking, viewers can navigate performances freely, choosing their own vantage points and discovering new perspectives at every turn.

This year, thanks to support from ArtsNL, I’m taking a deep dive into my ensemble-building practice. My goal? To refine, streamline, and articulate the methods I use to foster connection among performers while identifying the core exercises that work universally across different projects.

Produced by Untellable Movement Theatre, Caravan is a site-specific, full-length contemporary dance piece directed by Lynn Panting, set to the captivating music of Duane Andrews' 2004 self-titled album. This unique performance immerses musicians, movers, and audience members in a unique setting, creating an unforgettable, integrated experience.

Produced by Shakespeare by the Sea, This fast-paced, streamlined adaptation of Love’s Labour’s Lost was performed in the round at Memorial University.

“There’s Nothing You Can Do”, produced by RCAT, explores a group of recently reconnected friends who fall into a collective quarter-life crisis as they come to the realization that their lives aren’t what they imagined they’d be as they turn, or near, 30. The play recontextualizes the very real “dancing plague of 1518” as a way to explore this existential anxiety, and posits that when life doesn’t make sense anymore, all that’s left is to dance.