Direction
I approach directing as an act of curation and world-building.
I come into the room with a strong point of view and a clear aesthetic sense. I know what I’m building.
From there, the work becomes collaborative.
I bring together performers, designers, and collaborators, and build a shared language so that we can shape the piece together. I make a clear offer, then create space to refine and sharpen the work through process.
I pay close attention to how the room functions: how decisions are made, how time is used, and how people are supported.
Because the conditions we build directly impact what is possible.
I love site specific work.
Dramaturgy
My dramaturgical work is grounded in the body.
I look at how time, space, relationship, and movement function together to create meaning.
I am interested in structure, rhythm, and clarity: how a piece unfolds, what it holds, and what it asks of an audience.
I ask questions, offer provocations, and support the work in becoming more specific, more coherent, and more alive.
Recent projects include:
I Ain’t Nuh Bulla: A Play for Bajan Men Who Have Considered Suicide Because the Rainbow Could Never Be Enough — Director & Dramaturg (Black Theatre Workshop)
The Station — Director & Dramaturg (Untellable Movement Theatre)
Piper and the Storm — Director & Dramaturg (Untellable Movement Theatre)
Stray Shards — Director (RCA Theatre Company)
Love’s Labour’s Lost — Director & Adaptation (Shakespeare by the Sea)