Movement Direction & Choreography
I approach movement direction and choreography as forms of physical storytelling.
I am interested in how the body holds meaning: how gesture, rhythm, and spatial relationship can reveal character, intention, and story.
My work ranges from highly structured choreography to more responsive, process-driven creation, depending on the needs of the piece.
I build movement that is grounded in the performers I’m working with. I develop a physical language that aligns with the world of the work and the people inside it. This allows the movement to feel specific, embodied, and repeatable without losing its sense of life.
I pay close attention to:
how movement communicates
how it supports or shifts the text
how it functions within the larger composition of the piece
In rehearsal, I offer clear material and direction.
The goal is movement that is:
intentional
integrated
and felt by both the performer and the audience
Recent choreographic projects include:
Piper and the Storm — Director & Choreographer (Untellable Movement Theatre)
There’s Nothing You Can Do — Movement Director & Choreographer (RCA Theatre Company)
High Steel — Choreographer (Perchance Theatre)
Grace — Movement Director & Choreographer (Poverty Cove Theatre)
The Tempest — Movement Director (Perchance Theatre)
Hamlet — Movement Director (Perchance Theatre)
Romeo and Juliet — Choreographer (Shakespeare by the Sea)
